Archive for the 'Culture' Category

24
Feb
12

Fox Eyes

This vid is a bit viral so I’m told. The fox looks amazing though. The eyes are incredible and almost supernaturally frightening

14
Feb
12

Borg Central

Tegnerlunden Park

Tegnerlunden Park

Last Monday I rose and donned extra layers and a heavy coat in preparation for my commute from downtown Stockholm to our Sundbyberg office while the temperature hovered around -16c. I crunched my way across ice and snow, down the hill along with others equally insulated examples (EIEs) of 21st century mobile autonomous systems (as Eno has defined himself). I crunched to where I perceived the central station to be.

As I drew nearer I realised I was on too high a level and asked directions. Arriving at the station I found only computerised ticket machines and entrance turn-styles. I have never liked computerised ticket machines. They ask too many questions and give too many options. Also, one is left with the impression that they will answer whatever question one asks even if they have no business answering. It is like turning up at the British Airways desk when you are looking for the tube to Holborn and being sold a flight to  City Airport.

I wandered around aimlessly and entered another space where I overlooked the vast obligatory shopping mall that, by international law, must now be installed in every fucking public space on Earth. I expect that, by now, the Serengeti National Park in Kenya consists mostly of branches of Louis Fucking Vuitton.

People were marching around and it seemed to me that there were no railway employees to speak to. The whole station, perhaps even the whole of Stockholm and, quite possibly, the whole of Sweden seemed to be running on automatic. I felt like the man at the end of Invasion of The Body Snatchers. I wanted to shout: “Does anyone know where the ticket office is?” or “Where is the Information desk?” or “Where are all the fucking humans?”.

I held my tongue and descended an escalator into the heart of the machine where Swedes marched in robotic precision. I have braved the rush hours in Mumbai, London and Bangkok but never have I encountered such steadfast dedication to commuting. I leaped and dived between these creatures clad in boots and fur. Clutching their white iPhones they ignored me because I posed no threat, but I knew that, should I vocalise my anger and frustration, they would, as one, turn on me and tear me to pieces.

At the lowest level, at the beating heart of the Bjorn Borg mother ship, I found a ticket desk. No queue existed here but several of the creatures loitered and one pointed at a metal obelisk with no writing known to man but a strange symbol which may have depicted the apocalyptic death of the Swedish empire or, alternatively, a ticket being dispensed.

I placed my hand against the object and obtained the number 88. A display positioned above my head indicated 86. Whatever was going to happen, would happen soon. I stood and prepared myself. As an Englishman, I considered my reputation and refused to criticise the fact that several of the files were sitting lopsidedly behind the ticket clerks desk. Like a suburban health clinic where one waits patiently for the results of an X-ray though the preponderance of white plastic and perfect ergonomic machinery lent the area the feeling of a synthesis between Borg and Ikea technology.  87 glowed red. Was this it? Would I meet my end at number 88? Assimilated like so many millions before me? With a shock I realised that I too owned a white iPhone!

The man behind the desk was polite and spoke good English. I suggested that I may have come to the wrong place but he answered: “No. You have come to the right place”. My feeling of foreboding increased. I wondered how, this individual, who appeared almost Scandinavian in his sanity, could maintain any purchase on poetry, mythology or his imagination in an environment so devoid of stimulation.

He gave me two paths to travel. The quickest and simplest or the longest and most arduous. With the feeling that I was metamorphosing into Grendel, I chose the most arduous and entered the cold deep corridors packed with steaming Borg, silently striding, each avoiding the others with absolute precision as they held their dreams and emotions imprisoned in white iPhones.

Eventually, of course, I caught the train and emerged at Sundbyberg which was the wrong thing to do, I should have taken the Metro as the gentleman had suggested.

The problem with many modern northern European cities is that there is no sense of place. The station in Sundbyberg for example consists, at ground level at least, of two flights of steps leading down. Obviously this could be a station but equally it could be the entrance to a car park or public toilet.

I had arranged to meet a colleague but he was unaware of the precise location of the station and also unaware that it had two entrances. Around the stairs leading down are coffee shops and the only indication of a mass transportation system, capable of linking one to the rest of the world lies just metres from where one stands, is a modest LED display indicating two place names. These may indicate a station. They may indicate a bus terminus and since, in this perfectly organised society, there IS a bus terminus here, one might then consider the purpose of the signs explained.

In fact my colleague was waiting 5 minutes down the track where he had decided the station must be located and to be honest there was as much evidence there as there was where I had stood.

In the end we talked by phone and the only way we were able to communicate exactly which set of stairs I stood outside was with reference to the sun. The staircase in the sun or the staircase in the shade. This is my point. The nearest unique landmark was 93 million miles away, or so it seemed to me….I was a little frustrated.

The Victorians knew how to build stations. London St Pancras and Mumbai Central, they were stations. They didn’t just have vast gothic buildings which would be exceedingly difficult to miss they also had the words FUCKING STATION written in ten foot letters across the top or, if they didn’t, you could well imagine that they might.

All this integration makes for a very efficient city machine provided you have been programmed for it. If, on the other hand, you are a simple foreign traveller there is no way for you to meet anyone without giving them a street reference. I suspect that Johnny Swede relies heavily on grid references.

I climbed into the small Japanese car and calmed down as my bum was warmed to perfection by the heated seats.

Rolfs Kök

Rolfs Kök

Actually Stockholm was refreshing. Apart from the freezing tunnels of the central station the people were friendly and polite. The trains were spacious and tasteful and the food good. I stayed at the excellent Tegnerlunden Hotel which, while small, was personal, comfortable and conveniently located downtown near the fantastic Rolfs Kök restaurant.  On Wednesday night I ate at Rolfs. Packed with Swedes and wood and more Swedes and lots and lots of red wine and blond hair. Thick coats hung on walls amidst the steady rumble of conversation. Steel and brass and spotlights and busy white apron staff efficiency. Sitting at the bar amidst masses of bottles and glasses over my head, I sampled the bread & salt then devoured a perfectly cooked steak with a couple of beers.

MMMmmmmm…..Stockholm!

Rolfs Kök

Rolfs Kök

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st malo beach

St Malo Beach

12
Feb
12

Kusama at Tate Modern – Wonderland despite the faded white turds

Infinity Mirrored Room I spent a few hours at the Yayoi Kusama exhibition at Tate Modern this afternoon. The area just south of Tate modern seems to be an area in transition. In some ways it is very old London yet there are massive apartments blocks going up. Not many people about so presumably none of them are sold yet.

Inside Tate Modern it was the usual story of queuing for the ticket then queueing for the exhibition to be let in at a given time then trying to get past the people who think they have to queue for every exhibit. I recall prior to Tate Modern, if one wanted to see some modern art, one was forced to visit The Tate (now Tate Britain) and endure a lot of dusty old fashioned art first. To be honest all art can be good and bad and I can well remember being extremely impressed when I discovered a futurist sculpture created in 1913 named ‘Unique Forms Of Continuity In Space’ by Umberto Boccioni.

These days the art establishment like to claim that they are brining art to the masses but I think they may merely have succumbed to the obsession with profit which seems to have driven the start of the 21st century. I’m not sure that having Anne Robinson ask “Name a modern art museum in London” on The Weakest Link counts as art appreciation and justifies the congestion. …however, I digress……

Yayoi Kusama is a Japanese artist who lives in a mental institution so it says here. The first exhibits I found fairly mundane and was soon presented with what appeared to be painting from the Bollocks school of art. i.e. Since anything can be art, therefore any old bollocks I create must also be art. Monochrome canvasses with squiggles and texturing. I began to feel a little cynical. Chairs and shoes filled with what appeared to be large white turds. Thank you Ms. Kusama, we’ll be in touch.

Boat

Boat

However, things livened up a bit and the dark room with the white boat full of turds was quite striking. Later the punters were paying great attention to a video with a large sign stating that there were scenes of an “explicit nature”. So many people were paying so much attention that I never did get into that room.

I entered another dark room decorated somewhat like an ordinary living dining room with chairs and a table laid for dinner. The only light in the room came from Ultra Violet strip lights around the ceiling. What made the room impressive was thousands of dots of primary colour dabbed all the over the floors, walls, ceilings and objects. Sounds daft but I felt like I had entered an Alice in Wonderland novel. Following swift on the heals of this was another room full of coloured lights and mirrors which was also very impressive and by the time I was presented with her latest large vitally colourful paintings I had become a Kusama fan.

Obliteration Room

Obliteration Room

The Kusama exhibition runs to the 5th June 2012 and tickets are £10 with a request for a £1 donation to charity. Worth a visit.

Buy Art Photography by Nigel Chaloner

Buy Art Photography by Nigel Chaloner

27
Jan
12

travel photography – Objectifying the subject

The Long Way Home

The Long Way Home

Recently The Guardian ran an article reporting that India is to crackdown on what are termed “human safaris” where comparatively rich tourists visit the Jarawa tribe people of the Andaman Islands in the Bay of Bengal.

The Jarawa people have long been isolated from the rest of the world and are now being affected by a major road built across their land by the Indian government. A video accompanied the report showing Indian tourists getting the tribes people to dance for food.

Of course we sympathise with the Jarawar and abhor the idea that tourists casually throw them food in order to capture a few second of video footage.

But are we so very different? As a keen photographer I keep an eye on Flickr and, today, I came across this picture which appealed to me. The picture shows a couple of Ugandan children walking down a dirt road carrying baggage on their heads. The girl also carries a large container probably for water. It’s a nice shot. The colours are subtly beautiful and the girl’s expression is interesting.

But take a step back here. How would we feel if tourists wandered around poor areas of America with expensive cameras, capturing images of people struggling with bags and then drove back to their hotels in the evening to eat and drink too much?

I am in no way condemning the photographer of this shot. I have taken similar pictures and have to defend photography as an art form and state that, while the streets of western countries are fantastic subjects for photography the scale is less and less human. The beauty of pictures such as The Long Way Home may be related to their simplicity and humanity.

I guess there have always been disparities in wealth and power between the haves and have nots but these days cheap air travel seems to allow we who live in the rich world to objectify people from the “developing world” without a thought.

Vietnamese Girls

Vietnamese Girls

19
Nov
11

Brighton United – Closed

Sadly, it seems that Brighton United the Eastern European Delicatessen on St.George’s Place in Brighton, has closed. There was a sign on the door suggesting it had been repossessed by the landlord. Where will I get my Hungarian aprika paste now?

Brighton United - Closed

Brighton United - Closed

17
Nov
11

Contrived argument over kissing and jumpers

How advertising used to be

How advertising used to be

I decided not to buy products by Benetton several year ago because I thought that their advertising campaigns insult our intelligence. This was in 1991 when they plastered posters of a new born baby covered in blood all over London. Firstly, this was not something I wanted to see before breakfast, and secondly this was a wonderful personal moment, crassly exploited to sell jumpers.

Since then hyper-commercialisation has become acceptable and politicians and artists have no shame about selling their kudos and integrity to flog stuff. Tony Blair works for massive banks and Madonna was sponsored by a Vodka company. Fair enough but when they take the money they  also surrender any credibility or right to have their opinions taken seriously. They forgo leadership for the role of a hired hand.

Commercialisation is now built into the DNA of the Anglo-Saxon world and, while it may have made us richer, it has also eroded our self respect and sense of community.

I recall hearing a younger friend discussing the renovation work going on at London’s St. Pancras station and he said: “..and that’s before the shops go in…” Before the shops go in! It has now become normal that every department in every organisation everywhere in the UK must be a profit centre and sell stuff to the public all the time. Forget punctuality sell ‘em another coffee.

I saw some bloke on Dragon’s Den a few months ago trying to flog his invention. He had invented a modification to the little pole and rope barriers used to encourage queuing at cinemas, airports and stations. His idea was that advertising should be hung beneath the ropes – ugh! In a hundred years time every inch of “public” space will have been sold off for advertising. The walls, the floors and the ceilings will all be showing video advertising 24 X 7. Forget freedom or speech it will be freedom of though that we need to worry about.

I placed a comment in a similar vein to this on The Huffington post and received a reply that enterprise was the way of the Western world and that using catchy, funny and positive ideas to sell products was good.

Leaving aside whether this tripe is catchy, funny and positive I don’t deny the right of organisations and individuals to advertise their products and services. I do object to the ubiquity of advertising especially when the vast majority of it is controlled by a handful of corporations. I also despair at our press who collude in this fake controversy because it is a cheap and easy story to cover.

Many people consider that we should not object to this sort of thing because that would lead to social engineering. This is perverse. We have social engineering. The marketeers who work for corporations to create these campaigns are social engineers. That is their job.

BBC Radio 4 has a series of programs recently in what it terms its Brain Season. One example of psychological research is something known as anchoring. The idea is that you show a couple of numbers to experimental subjects and then ask them a question such as “what percentage of countries in the UN come from Africa?”. It terms out that their answers will be significantly weighed toward the numbers shown.

Interesting stuff. But who do you think is using this? Are you using it in your every day life? Are your mates at the gym or down the pub using it? No, the people who use this stuff are marketeers working for large multinationals who are trying to lure you into buying more and more useless stuff.  They have even developed an Orwellian term for it: Behavioural Economics. This is what’s behind BP changing it’s corporate colours to green or Shell changing the name of their petrol to “FuelSave Regular Unleaded”. While they talk green they act mean.

So now the marketing execs at the jumper company are at it again. They claim they are promoting peace by displaying pictures of famous people snogging but we all know that their real goal is to pick away at a bunch of people who, rightly or wrongly, will take offence. The company are hypocrites because their goal is not the promotion of peace. Their goal is controversy. They want the Catholic church to take offence.

Whether you like their campaign or you loath it you are being used to promote a bunch of fucking jumpers. In 1962 controversy meant socialism or democracy. Fifty years later it means a contrived argument about kissing in adverts for a jumper company. I can only imply that the vacuity of the advertising campaign reflects the vacuity of the company and its owners.

In Western democracies in the 21st century the individual has very little power. One of the few powers we still have is to refuse to buy stuff.

If you like this companies shenanigans then by all means buy their jumpers. If you don’t then for God sake have some self respect and resolve not to buy their products in future.

31
Oct
11

Kvetch, The Kings Head, Islington

Kvetch, King Head, Islington

Kvetch, King Head, Islington

On Saturday night I saw the Steven Berkoff play Kvetch…..again.

I’d seen a version directed by Britt Forsberg in Brighton in 2010 and this was so good that when I heard The Kings Head in Islington were presenting the play I had to go.

Weirdly I will quote myself here: “The story revolves round a salesman and his wife who are almost paralysed by their fear of what other people may think. The play opens with the salesman heartily inviting his work colleague home for dinner whilst internally dreading the idea that the man might accept.”

The Brighton version was extremely good and I had wondered if I would be disappointed. Hah! If the Brighton version was energetic the Islington version was almost crazed. Directed by Julio Maria Martino, the Kings Head interpretation was high energy but tightly controlled with the acting more closely resembling choreography as the actors fiercely gesticulated their anguish and bile.

Each actor had a painted theatrical mask which, while initially a little odd, came to dramatically portray their angst and paranoia. A minimalist set was imaginatively used and the long thin table served to emphasise each characters isolation while the bedroom scene had the crowd in hysterics.

A definite must see the play runs until the 4th November.

Kings Head Theatre
115 Upper Street
Islington
London
N1 1QN

Phone: 02032868788

24
Oct
11

The surprising truth about what motivates us

This lively RSAnimate, adapted from Dan Pink’s talk at the RSA, illustrates the hidden truths behind what really motivates us at home and in the workplace.




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House

Lord Nelson

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Carl Eldh's statue of Strindberg

Tapestry

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tarpaulin

underground

st pauls

Lancing College Chapel - Inside the crypt

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